Andrea Mantegna: The Agony in the Garden.

Interpretation of Lamentation over the Dead Christ by Mantegna. One of the greatest Renaissance paintings of the quattrocento, this tempera painting by the Padua artist Andrea Mantegna is probably the most famous example of foreshortening in the history of art.

Something all researchers can agree on, however, is that this painting is closely based on Andrea Mantegna's own Agony in the Garden which was painted about five years prior to Bellini's. In a further act of collaboration, Mantegna's painting was probably based on a sketch by Bellini's father, Jacopo.


Mantegna Agony In The Garden Analysis Essay

The Agony In The Garden is a biblical story thet tells us the imminent arrest of Jesus after being betrayed by Judas. The two paintings of Mantegna and Bellini are different, the first difference is the scale, the two Jesus are looking in a different side, but they are united by the pray to God.

Mantegna Agony In The Garden Analysis Essay

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Mantegna Agony In The Garden Analysis Essay

Andrea Mantegna, The Lamentation over the Dead Christ The Lamentation over the Dead Christ is a c. 1480 painting by the Italian Renaissance artist Andrea Mantegna. ( 1 ) While the dating of the piece is debated, is generally believed to have been completed between 1457 and 1501. ( 2 ).

 

Mantegna Agony In The Garden Analysis Essay

The Agony in the Garden (right panel of the predella of the San Zeno Altarpiece, 1455) National Gallery, London is the pinnacle of Mantegna's early style. Mantegna was born in Isola di Carturo, Venetian Republic close to Padua (now Italy ), second son of a carpenter, Biagio.

Mantegna Agony In The Garden Analysis Essay

Also included are both artists’ interpretations of The Agony in the Garden (Mantegna’s dates from around 1455-56; Bellini’s from around 1458-60) from the National Gallery’s own collection, as well as their respective versions of The Descent into Limbo and The Crucifixion.

Mantegna Agony In The Garden Analysis Essay

Giovanni Bellini, Italian painter who, in his work, reflected the increasing interest of the Venetian artistic milieu in the stylistic innovations and concerns of the Renaissance. He is best known for traditional religious scenes, which were later enriched by the development of broad, detailed landscape settings.

Mantegna Agony In The Garden Analysis Essay

Andrea Mantegna, Agony in the Garden c1460 London, National Gallery. The drama occurs within sight of the walls of a most extraordinary city — Jerusalem has been transformed into a pink fairytale confection but, being Mantegna, it is a confection with a very hard edge.

 

Mantegna Agony In The Garden Analysis Essay

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Mantegna Agony In The Garden Analysis Essay

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Mantegna Agony In The Garden Analysis Essay

The Agony in the Garden (Mantegna) 11 X 14 Framed Print. Larger View. Item Details: The Agony in the Garden, left hand predella panel from the Altarpiece of St. Zeno of Verona, 1456-60, Mantegna. Find more items like this in:. The Printery House is making every effort to protect the environment by using papers that either contain recycled.

Mantegna Agony In The Garden Analysis Essay

Giovanni Bellini's Agony in the Garden exemplifies the artist's early painting style, in which he employs the use of techniques presumably taught to him by his brother-in-law, the Paduan artist Andrea Mantegna. All the while, however, Bellini's own preference for the careful use of light to convey emotion contributes to the artistry of the piece.

 


Andrea Mantegna: The Agony in the Garden.

The Agony in the Garden: One of the great delights of the National Gallery in London is the positioning of these two versions of the Agony in the Garden, side by side for easy comparison. I'll do the same here. Giovanni Bellini: Andrea Mantegna.

Andrea Mantegna (ca. 1430-1506), painter and engraver, was the leading artist of the school of Padua and one of the most important early Renaissance Italian masters. Andrea Mantegna, the son of the carpenter Biagio, was born at Isola di Carturo about halfway between Padua and Vicenza.

The bottom three panels present, from left to right, the agony in the garden, the crucifixion, and the resurrection. The frame of the altarpiece mimics the facade of an ancient Greek temple, painted gold, with the illustrations framed by Corinthian-style pillars.

Like other artists of the time, Mantegna experimented with perspective, e.g. by lowering the horizon in order to create a sense of greater monumentality. His flinty, metallic landscapes and somewhat stony figures give evidence of a fundamentally sculptural approach to painting.

Andrea Mantegna. 1431 - 1506. Italian painter and engraver, born in the vicinity of Padua. Brother-in-law of Giovanni Bellini. Mantegna is influenced by Donatello's work from early on. Characteristic of Mantegna's work are the bright colors, the strong linear perspective and the sharp lines. The subject matter is mostly classical or religious.

Andrea Mantegna had a preference for barren, rocky landscapes. In this painting he uses the landscape to emphasize Jesus' emotions of loneliness and fear. Three disciples are asleep while the agonized Jesus prays to his father.

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